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find it amazingly easy to turn away from the screen, have a conversation with the person next to you, and experience a welling sense of liberation Part of this is due to one of the fundamental differences between sight and hearing Sound spreads and permeates, grabs you from every angle, and hits you at an emotional level The visuals just interrupt your eye rhythms

Summary In Figure 2410, we summarize the congestion policy of TCP and the relationships between the three phases Figure 2410 TCP congestion policy summary

MAC Address AD-83-F2-90-D2-36

We give an example in Figure 2411 We assume that the maximum window size is 32 segments The threshold is set to 16 segments (one-half of the maximum window size) In the slow-start phase the window size starts from 1 and grows exponentially until it reaches the threshold After it reaches the threshold, the congestion avoidance (additive increase) procedure allows the window size to increase linearly until a timeout occurs or the maximum window size is reached In Figure 2411, the time-out occurs when the window size is 20 At this moment, the multiplicative decrease procedure takes

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over and reduces the threshold to one-half of the previous window size The previous window size was 20 when the time-out happened so the new threshold is now 10 TCP moves to slow start again and starts with a window size of 1, and TCP moves to additive increase when the new threshold is reached When the window size is 12, a three-ACKs event happens The multiplicative decrease procedure takes over again The threshold is set to 6 and TCP goes to the additive increase phase this time It remains in this phase until another time-out or another three ACKs happen

MAC Address 45-9D-84-D2-AA-10

Congestion in a Frame Relay network decreases throughput and increases delay A high throughput and low delay are the main goals of the Frame Relay protocol Frame Relay does not have flow control In addition, Frame Relay allows the user to transmit bursty data This means that a Frame Relay network has the potential to be really congested with traffic, thus requiring congestion control

For congestion avoidance, the Frame Relay protocol uses 2 bits in the frame to explicitly warn the source and the destination of the presence of congestion

Although this chapter cites the use of audio in television and movies to make its point, these examples are applicable to all content that combines sound and picture Consider the following story In the late 1980s, television broadcasts began including stereo sound At the time, I happened to be touring the Los Angeles facilities of Fairlight International, manufacturer of one of the premiere digital music and audio production systems of the day At that time, Miami Vice was one of the top television shows One of its most powerful elements was the hot, electronic, jazz fusion score that saturated its soundtrack, composed and produced by the talented Jan Hammer What made the show s use of sound revolutionary were Hammer s methods: He produced a new score for each weekly episode, on the fly, entirely with the Fairlight The device was a music synthesizer of magnificent proportions combined with a hard disk audio recording and playback system, all in one box Hammer created, played, and mixed while watching the edited tape of the episode In the process, Hammer was helping redefine the way soundtracks were put together Hammer had been in Los Angeles appearing at a trade show for the company He d apparently done so only with the understanding that Fairlight would provide him with a duplicate of his personal audio system so that he could pursue his demanding composing schedule after hours On the day I visited the facility, Hammer had just left for home, but the system he d used was still set up It consisted of a six-foot-square video screen, a Fairlight, and some synchronizing gear for locking Hammer s sounds to the video of the next week s Miami Vice episode

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