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Use depth of field to focus attention on your main subject Depth of field is the space in front of the camera that s most in focus How deep the depth of field depends on the size of the lens s aperture, which is like the eye s iris, a circular opening that can be open as wide as the lens itself or closed down to a pinpoint opening At the smallest opening an f-stop of 11 or 22 typically everything from a few feet in front of the lens to the distant horizon is in focus With the aperture wide open, depth of field is limited to a few feet or inches for nearby subjects Set your camera s exposure mode to aperture, usually indicated with an A on a dial This allows you to set the aperture to its widest setting f/2 or f/14 and prevents the camera s light meter from changing the aperture Instead, the light meter will control only the camera s shutter speed The shutter is a curtain sort of like an eyelid between the lens and the rectangle of pixels at the back of the camera The light meter will hold the shutter open only long enough so that, combined with the aperture s setting that you pick, the right amount of light strikes the pixels to create a correct exposure In the photo on the left in Figure 3-11 the depth of field is deep enough that the house 20 yards behind the flower is still in focus In the photo on the right, the depth of field barely extends beyond the flower itself

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the properties of Ca and K Did you select the best method for predicting the properties of elements 31 to 36 Did a single method work best for all cases

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In 1 we ll take a look at the myriad features that you ll find on digital cameras, both low-end and high-end If you re still contemplating which digicam to buy, this chapter is a must The nature of digital cameras is that they can do tricks film cameras are not capable of Even if you re experienced with film cameras, get to know what the new world of digital cameras is like 2 is a side trip to scanners on the assumption that, like most people, you have a shoebox full of old photos that are fading, discoloring, and deteriorating almost before your eyes With an inexpensive scanner you can save what are invaluable family heirlooms for future generations With the right software, you can restore them to their original glory This chapter shows you how In 3, you ll learn how to put all those buttons, dials, menus, and other doohickeys that come with your digital camera to use But it s not just about technical stuff It s also about technique We ll look at how to use any camera to shoot better photos 4 takes us to Photoshop Elements, available as free trial software on the Internet, and how you can use it to retouch those old photos you rescued with a scanner back in 2 You ll learn the concept and methods of the digital darkroom to improve the photos you shoot with your digital equipment 5 takes the digital darkroom into an alternate universe where you can transform your photos into images of worlds that exist only in your mind Believe me, this stuff is fun 6 covers the printing of your photographs so that you can foster them off on all your relatives who don t have computers The chapter pays particular attention to producing the highest-quality prints using inks and paper that will ensure they don t fade before the memories do And because this is a digital world, 7 looks at how you can share photos without photo prints You ll see how to save your pictures to CD, as DVD shows, and on the Internet Finally, the appendix is a buyer s guide to digital cameras that lists the top-ten cameras appropriate for three categories of photographers: the birthday party photographer; the enthusiast; and the professional Determine which category you fall under, and then choose the camera that s best for you.

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